Adam Kubisiak 4/6/26 Adam Kubisiak 4/6/26

I Am in the Middle of the World

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Nicolas Lin 4/6/26 Nicolas Lin 4/6/26

O Captain, My Captor

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Aavin Mangalmurti 4/6/26 Aavin Mangalmurti 4/6/26

The Quiet Authority of Ordinary Things

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Ethan Ho 4/6/26 Ethan Ho 4/6/26

The Soft Intensity of the Archive in “The Secret Agent”

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Emily Benitez 4/6/26 Emily Benitez 4/6/26

Layers of Laughter in The Lobster

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Keanu Huynh 3/16/26 Keanu Huynh 3/16/26

Player to Spectator: The Limits of Video Game Adaptations

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Youth and Ambition in Whisper of the Heart

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Lucia Dakin 3/16/26 Lucia Dakin 3/16/26

In Defense of “Distracting” Editing: Hyperstylization in Midnight Cowboy, Natural Born Killers, and House of 1000 Corpses

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Gaby Richter 3/16/26 Gaby Richter 3/16/26

Finding Myself Through Cinema: How Coming-Of-Age Films Mirror My Own Journey

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Julia Aloi 3/16/26 Julia Aloi 3/16/26

The Erotic Thriller: Perseverations on Tension, Control, and Desire

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Julia Sprung 3/16/26 Julia Sprung 3/16/26

People Who Watch Movies: Or A Few Thoughts on The Heartbreak Kid

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Emily Benitez 3/16/26 Emily Benitez 3/16/26

The Sound of Silence In Call Me By Your Name

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Harry Sey 3/16/26 Harry Sey 3/16/26

Who's Behind the Mask?

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Rocio Diaz 3/16/26 Rocio Diaz 3/16/26

Eternal Sunshine of the Spotless Mind

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Peter Brueggemann 3/16/26 Peter Brueggemann 3/16/26

Does Anyone Care About Space Movies Anymore?

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Adam Kubisiak 3/16/26 Adam Kubisiak 3/16/26

Size Matters: Making Films Too Long  - A Breakdown of Trenque Lauquen

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Samantha Gerber 3/16/26 Samantha Gerber 3/16/26

Marty Mauser Misunderstood

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Keara Field 3/16/26 Keara Field 3/16/26

Eternity: Was Poly Not An Option?

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Julia Aloi 3/16/26 Julia Aloi 3/16/26

A Lover’s Discourse: Cinematic Fragments

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Gaby Richter 3/16/26 Gaby Richter 3/16/26

The Manic Pixie Dream Girl: A Full-Time Job of Motivating Mediocre Men

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