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Companion and our Obsession with Robot Sentience

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My Prolonged, Complicated Situationship with Nope

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A Complete Unknown is Completely Unknown

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AHS NYC: A Good Season of Television, A Bad Season of American Horror Story

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Paddington in Peru: Stay Golden Marmalade Bear

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Cave Dwelling, Whole Milk, and Ultraviolence: Platonism in A Clockwork Orange

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5 Radiohead Albums as Films

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Variations on a Symphony of Horror: Providence Fails, Fate Prevails

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Who Deserves to Win Best Picture at the Oscars

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Who Deserves to Win Best Picture at the Oscars

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Five Sports Anime That Made Me Care About A Random Sport I Had No Prior Interest In

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The Rawness of Adolescence: A review of Thirteen

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The Rawness of Adolescence: A review of Thirteen

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Le Fabuleux Destin d’Amélie Poulain: How a French Girl Restored my Faith in Humanity

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Le Fabuleux Destin d’Amélie Poulain: How a French Girl Restored my Faith in Humanity

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Female Fantasy: Imagination and Perspective in The Last Showgirl and Anora

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Female Fantasy: Imagination and Perspective in The Last Showgirl and Anora

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The Hard Drive Dreams in Flowers and Distortion

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Red Rooms: Voyeurism as Modern Nightmare

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Red Rooms: Voyeurism as Modern Nightmare

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By the End of This Article, You Will Be Emotionally Invested in a Transformer

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By the End of This Article, You Will Be Emotionally Invested in a Transformer

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Kevin Can Fuck Himself: Lighting as Disruption

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Kevin Can Fuck Himself: Lighting as Disruption

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Confronting the Male Gaze: Representation and Storytelling in Woman of the Hour

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Confronting the Male Gaze: Representation and Storytelling in Woman of the Hour

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Holding Space for the Lyrics of Defying Gravity

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Mirror, Mirror: Twinhood and the Heroic Protagonist in Day of the Fight

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Mirror, Mirror: Twinhood and the Heroic Protagonist in Day of the Fight

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