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“Dear Zindagi”: A Love Letter to Life

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Mayrav Estrin 2/26/24 Mayrav Estrin 2/26/24

Charlie Kaufman: The Philosophy Behind His Surrealist Screenplays

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Riley Rosenberger 2/26/24 Riley Rosenberger 2/26/24

A Review The Queen's Gambit Doesn’t Deserve but Gets Anyway

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Chris Zou 2/26/24 Chris Zou 2/26/24

Atrocity in Zone of Interest

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Ayana Ahuja 2/26/24 Ayana Ahuja 2/26/24

Exploitation or Empowerment?

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Mayrav Estrin 2/19/24 Mayrav Estrin 2/19/24

Strings Attached: The Integral Role of Music in 'O Brother, Where Art Thou?'

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Dylan Jae Heinstein 2/19/24 Dylan Jae Heinstein 2/19/24

A Review of Eyes Wide Shut

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Anna Smith 2/19/24 Anna Smith 2/19/24

Pulp Fiction: A Shared Discomfort Zone

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Ginu Yang 2/19/24 Ginu Yang 2/19/24

The Cultural Odyssey of the Japanese Lion King

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Ari Cleveland 2/19/24 Ari Cleveland 2/19/24

Book Club Cinema or: How I Learned to appreciate a new wave of Women on screen

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Andrew Rovinsky 2/19/24 Andrew Rovinsky 2/19/24

House (1977): Masterpiece, Mid, or Mess

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Cameron Le 2/4/24 Cameron Le 2/4/24

Sleep Has Her House: Refusing Modern Cinema

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Lucia Dakin 2/4/24 Lucia Dakin 2/4/24

Thanksgiving: Eli Roth, the Death of Subtlety and Why That’s Not Necessarily a Bad Thing.

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Lauryn Mills 2/4/24 Lauryn Mills 2/4/24

Top 3 Black Film/TV Scores You Should Know

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Olivia Bergin 2/4/24 Olivia Bergin 2/4/24

Black Mirror: Back and… Different Than Ever

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Rachel Kamphaus 2/4/24 Rachel Kamphaus 2/4/24

Echoes of the Road in Poor Things

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Keanu Huynh 12/9/23 Keanu Huynh 12/9/23

Whatever Happened to the Men of Tomorrow?

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Kelly Hicks 12/9/23 Kelly Hicks 12/9/23

‘It’s a Murder on the Dance Floor’: Review of Saltburn (2023)

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Andrew Rovinsky 12/9/23 Andrew Rovinsky 12/9/23

Jewish Life in Modern America: A Serious Man and Shiva Baby

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Phoebe Grace Aseoche 12/1/23 Phoebe Grace Aseoche 12/1/23

Queer Representations in British vs. American TV

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